5.3.26: Untitled 3 #43
Now the ground had shifted entirely. All of a sudden Ursula got closer to me in my mind’s eye—and, as she did, i realized that I can’t keep using Ocasio-Cortez’s voice to represent Ursula. At least not entirely. A kind of reality had set in, the kind that said: it’s never going to happen because by the time you meet her she won’t be able to get pregnant—and that, sadly, was turning out to be a dealbreaker. I felt her slipping away—if I ever had her; I was using a voice now that I associated with a fellow painter—a woman that lived in Norway, that, if I’m not mistaken, hailed, originally, from Hungary. I didn’t know what this woman’s voice really sounded like—but I had a voice that I heard when I thought of her. I was now using that voice as my primary counting voice. It was not as distinct as Ocasio-Cortez’s voice—it was both seemingly easier to produce and yet harder to tell how it was different from my voice, but it was a definite voice. So what the hell was going on?
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