3.9.26: 1 Album 6: Diamond-back rattlesnake

“Diamond-back Rattlesnake” unfolds like a wandering desert narrative—part folk ballad, part surreal travelogue. Moving through landscapes of Texas brush, ocean horizons, and distant roads, the song pairs earthy imagery with philosophical undertones about loss, motion, and the strange symmetry of life. The narrator drifts through encounters both playful and haunting: rattlesnakes, banshees, lonely lovers, and memories carried like ashes scattered at sea. Musically, the piece blends folk and blues-tinged harmony with a steady rhythmic pulse that feels both grounded and restless. Subtle chord shifts and a conversational vocal line give the music an intimate, storytelling quality. The result is a thoughtful, slightly mysterious song that evokes the open road, where humor, longing, and reflection travel side by side.

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Songs

3.9.26: Untitled 3 #7

   Do tell, what awaits?  Jack Daniels attacked Iran, and, although Iran was not a good country, going to war with them was a mistake, especially considering how much war costs.  But Jack was bound and determined to do whatever he had to do to keep what he was doing in the news cycle, so that people might overlook his past—and a history of sexual assault that, spent on minors, could ruin him.  Now, I know one reason Ursula was suffering—the The New York Times—which, sadly, depended a little too much on the wealthy, wanted to remove Ursula from the 2028 presidential race, considering that she, undoubtedly, would punish the rich for hording the wealth that meant, in the case of health insurance, anyhow, life or death circumstances for all too many Americans.

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Novels in real time

3.8.26: Untitled 3 #6

    I was back to myself, back on schedule.  how do you do it?  In fact I was facing a conundrum.  I don’t think I could afford to do two paintings a day, and, today, I did.  That was because the first painting looked complete already without much time having passed.  I wasn’t going to ruin a good painting by overworking it, but I wanted to paint for a longer amount of time than I had, so i did another one, and I thought: “how am i going to afford this, and where am I going to put them all?  I needed a dealer that could sell my work—and yet, as we all know, it’s not incredibly likely that my paintings are going to sell any time soon, if ever.  But I had to push on, didn’t I?  I had to go above and beyond the call of duty, didn’t I?  I couldn’t just say, “I’m only going to paint for an hour, and that’s it!”  No, I had to consider:  “I have to paint for two hours at least, don’t I?” 

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Novels in real time

3.7.26: 1 Album 5: This is my refrain

“This Is My Refrain” unfolds as a reflective conversation set to a warm, cyclical musical landscape. Built around a gentle minor-key progression moving between D minor and A, the music carries a thoughtful, almost meditative pulse that lets the melody return like a recurring idea. The guitar-driven texture supports a vocal line that feels intimate and conversational. Lyrically, the song explores the mixture of affection, conflict, and self-examination that defines close relationships. Humor and tenderness sit beside psychological insight, as the narrator reflects on arguments, childhood fears, and emotional patterns that quietly repeat. The result is an understated meditation on love, memory, and the refrains we share with others.

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Songs

3.7.26: Untitled 3 #5

   Things had cooled off a little—I’d finally had a bowel movement that accounted for the fact that I hadn’t had a proper bowel movement in a shameful amount of time; I had to dig it out of the toilet, of course, and dump it in the back yard—which is why, upon further study, I was switching from psyllium husk to a stool softener; clearly, the psyllium husk wasn’t doing what I’d hoped—moving the stool along so it wouldn’t sit around for so long.  Now I was thinking: great, now that I’m not adding mass to my stool, I should have a bowel movement every three or four days as opposed to five or seven—and who knows, the stool softener might cut that in half, so that, well, I’d be going as often as I used to go in high-school—about every other day.  That, at least, was the endgame, and, along with my sexual dysfunction, the reason for getting off risperidone, even though, as far as my thinking disorder goes, it worked as well as any reasonable person might’ve hoped.

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Novels in real time

3.6.26: 1 Album 4: His life

“His Life” unfolds as a reflective acoustic piece built on steady guitar harmony and an unhurried melodic line. The music moves with a quiet persistence, creating space for lyrics that explore the tension between self-destruction and redemption. The narrator confronts a troubled relationship marked by addiction, regret, and emotional dependence, yet moments of clarity emerge as he recognizes the need to break away and reclaim direction. The vocal phrasing mirrors this inner conflict—alternating between confession and resolve—while the guitar progression grounds the song in a thoughtful, folk-influenced atmosphere. Both musically and lyrically, the piece traces the fragile process of recognizing a destructive cycle and choosing a different path forward.

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Songs

3.5.26: Untitled 3 #4

  Well, here we were, in some deeper realm of analytic thought, concerning ourself with mathematical stimulus, trying to prove the existence of heaven.  That’s what everybody would like to do, I think, but most people can’t understand anything but love for one another; if told them that math is love they’d say it’s over their heads—as if they didn’t want to think about going to heaven, even if it meant, in thinking about it, you increased your chances of getting there.  I’ll be a doctor one day, but this came from someone else, someone I knew only a little, from the church, and, once or twice, his appearance, along with two missionaries, at our dinner table.  The root of that—the person I thought of after I overheard that, was Ursula—I wondered, even, if she said it.  What was she doing?  “Did you say that?”

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Novels in real time

3.4.26 1 Album 3: Homosexual telepath

“Homosexual Telepath” blends reflective lyrics with a clear, flowing melodic structure that supports both voice and guitar. The music moves at a moderate tempo and relies on repeating melodic phrases and steady harmonic motion, giving the song a contemplative, almost meditative character. Lyrically, the piece explores identity, communication, and spiritual longing through the metaphor of a telepathic connection. The narrator reflects on love, misunderstanding, and the search for authenticity while addressing themes of faith and personal transformation. Together, the music’s gentle progression and the introspective lyrics create a thoughtful art-song atmosphere, inviting listeners to reflect on desire, language, and the possibility of deeper human connection.

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Songs

3.4.26: Untitled 3 #3

Here I was, talking to Ursula, having defined myself—through a respectable test, the Storms Sexuality Axis test, to be seventy percent heterosexual and thirty percent homosexual. So all the second guessing myself and overthinking of whether or not I’m homosexual had to stop—it had been going on for too long. this pleased Ursula, since, ac-cording to her, I was too straight to be gay, which is exactly what the test said. So good—I was straight enough to deny being gay—only i didn’t want to deny being gay, which is why I call myself queer and say that I don’t fit any category—I do it for strategic reasons, to silence all the people that, out of hate, would argue that I’m gay, (because of my now prior confusion and my sexual dysfunction). Now that my confidence was growing—I’d gone on misleading both myself and others enough, yes; but also, yes, I was thirty percent gay, and that was important to me—enough to celebrate in my writing since, after all, being thirty percent gay is really quite beautiful, if you’re not a jerk.

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Novels in real time

3.3.26: Untitled 3 #2

You’re young, you have your life ahead of you; and that’s true, I did—not to mention the life to come, in which, well, my life would somehow be both ahead of me and perfectly in step with every decision I make. You’re great to think that – so what was she saying? Was she affirming my be-lief in the life to come—or, perhaps, to keep her happy, I should say a life to come? That way she might not feel like I’m saying she must necessarily also have a life to come—i don’t know why she would want that, but, if that was all she could believe in, then, i guess she didn’t have a choice. I think that’s the main point that some of us want to make—that we’re not free agents, that we don’t have a choice, and the life, this life, is nothing more than a dream that doesn’t involve the consciousness of the person that’s asleep.

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Novels in real time