6.5.26: Jazz: Going up in smoke

In Going Up in Smoke, I was interested in allowing the acoustic bass to assume a leading role, carrying not only the harmonic foundation but much of the melodic material as well. The tenor saxophone and trumpet engage in a shifting contrapuntal dialogue, each taking on prominent responsibilities rather than following a traditional head-solo format. As the piece unfolds, a gradual process of transformation gathers momentum, evolving into a broader sense of expansion and crescendo. By the conclusion, the ensemble moves with considerable energy, with the saxophone emerging slightly to the foreground while remaining part of the larger musical conversation.

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Jazz

6.4.26: Untitled 3 #61

     It had been a few days since I’d kept this appointment—talking to Ursula across time and space—basically like we’re occupying the same exact headspace—call me a negative Nancy but I was worried about her weight again—figuring if the last ten years is any indication, then, by the time she’s in the oval, well, she could gain another twenty pounds, which would have made her chunky, and then, well, if she had a baby—who ever comes back from having a baby . . . well, to be fair, some people do, but, on average, i’d say most people don’t lose half the weight they put on.  Now, these imaginations indicated, I’m quite sure, that I had real feelings for Ursula and I didn’t want to get off track from my true self—a person that sleeps with people that weigh a reasonable amount, not just anybody.

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Novels in real time

6.1.26: Untitled 3 #60

     I was in the middle of a mathematical jungle trying to make sense out of various things that both solve the Riemann hypothesis and explain certain physical properties in physics.  All i wanted to do right now was take a breath and get back in touch with my Ursula.  Her voice was coming from the center of my brain, but I was a long way off.  That happens when I do math—I’m so focused on other things that I forget to project her voice.  Maybe I’m doing it a little unconsciously, but she definitely gets pushed aside by unknown people that sneak in when I’m checking my email, so to speak.  I’m not saying I’m not reading Ursula’s email when this happens—I think a lot of times I am, but as all this math comes out of me, pipe dreams, i know, i lose the filter.  Others get in.  People that would disrupt my routine, make it difficult for me to focus and get things done, and, of course, to get to sleep at night.  I had no intention of living the tortured life of some archetypal artist.

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Novels in real time