3.16.26: Untitled 3 #10

     what are you cooking up now?  then my pot smoker friend said something, but I couldn’t understand him.  then he said, now.  As if, at this time of my life, everything about me was beginning right now.  Someone unknown said, “i’m trying to stave off disaster,” and it sounded kind of like my default narrator.  Now you’re going to try this, my pot smoker friend said  –  and I’m going tell you I revolutionized pottery, my smoker friend said.  I didn’t really care.  I didn’t really care about them—or anything they were saying, at least not in this moment, except for me, and I was a little irked by me because he refused to let me function with a decent level of dopamine and testosterone in my body.  I got a whiff of the other side, last night, though, as I forgot to take my medicine, and I woke up, unable to get back to sleep, keeping time with my foot, and wondering what was going on.  Around 5 I got up to take my morning meds, and I saw that I hadn’t taken my evening meds, so i took half of them, went back to bed for an hour, and felt fine.

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Novels in real time

3.15.26: 1 Album 7: Liquid angel

“Liquid Angel” is a thoughtful fusion of lyrical poetry and intimate acoustic writing. Set at a moderate tempo and built around guitar-based harmony, the music unfolds with a reflective calm that allows the vocal line to carry the emotional narrative. The accompaniment supports the voice with understated chordal motion, creating a sense of quiet space around the text. Lyrically, the song explores existential and spiritual themes—questioning forgiveness, belief, and the search for meaning. The recurring image of the “liquid angel” becomes a symbol of grace that is fluid rather than fixed. Together, the music and words produce a contemplative atmosphere, offering listeners a piece that feels both intellectually engaging and emotionally sincere.

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Songs

3.14.26: Untitled 3 #9

    How can you love Him, without me?  Ah, that was a good question, for I felt no great love for Jesus—he was a figurehead that had no physical meaning for me; I even doubted that he ever existed—even as a plain old man.  But I know what she was getting at—she was talking about a more general and simultaneously private Him, that man, in the next life, that I am a shadow of, and privy to.  In that sense I did love Him, so, if that’s what she meant, I needed to correct her—but how could I do that without making it sound like I worship myself?  But, you know, who cares?  I believe that the man I answer to is me, living on a higher plane, at the same time that I, for now, am duking it out in this dimension.  So back to her question:  How can you love Him, without me?  It was almost like I was posing the question to myself, and, at one time, the question would’ve proved impossible to answer, since that person (me) remained undefined.

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Novels in real time

3.10.26: Untitled 3 #8

    Too bum tired to work on the Riemann hypothesis?  Yeah, I’d worked on it all morning; got in a little over my head, but I’ll sort it out when I’m fresh, tomorrow, and I’ve got the stamina to make sense out of many different tangents—all circling this idea that prime frequencies and zero frequencies coordinating force the zeros to be on the critical line—an idea that, apparently, may not be entirely new; but maybe i’m getting ahead of myself; I needed to go about this carefully, which meant, well, I had time for Ursula, right here and right now.  that’s good to hear.  I thought so, too, although I don’t know what we had to talk about—so I considered, maybe we could work together to talk to someone else, like the next Mozart, or something.  Right now he’s got those violins going a mile a minute; he’s full of youthful vigor—dying around the same time I finally got myself together and proved able to make all the art that I’ve made over the last ten years.  I’ve been making up for lost time.

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Novels in real time

3.9.26: 1 Album 6: Diamond-back rattlesnake

“Diamond-back Rattlesnake” unfolds like a wandering desert narrative—part folk ballad, part surreal travelogue. Moving through landscapes of Texas brush, ocean horizons, and distant roads, the song pairs earthy imagery with philosophical undertones about loss, motion, and the strange symmetry of life. The narrator drifts through encounters both playful and haunting: rattlesnakes, banshees, lonely lovers, and memories carried like ashes scattered at sea. Musically, the piece blends folk and blues-tinged harmony with a steady rhythmic pulse that feels both grounded and restless. Subtle chord shifts and a conversational vocal line give the music an intimate, storytelling quality. The result is a thoughtful, slightly mysterious song that evokes the open road, where humor, longing, and reflection travel side by side.

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Songs

3.9.26: Untitled 3 #7

   Do tell, what awaits?  Jack Daniels attacked Iran, and, although Iran was not a good country, going to war with them was a mistake, especially considering how much war costs.  But Jack was bound and determined to do whatever he had to do to keep what he was doing in the news cycle, so that people might overlook his past—and a history of sexual assault that, spent on minors, could ruin him.  Now, I know one reason Ursula was suffering—the The New York Times—which, sadly, depended a little too much on the wealthy, wanted to remove Ursula from the 2028 presidential race, considering that she, undoubtedly, would punish the rich for hording the wealth that meant, in the case of health insurance, anyhow, life or death circumstances for all too many Americans.

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Novels in real time

3.8.26: Untitled 3 #6

    I was back to myself, back on schedule.  how do you do it?  In fact I was facing a conundrum.  I don’t think I could afford to do two paintings a day, and, today, I did.  That was because the first painting looked complete already without much time having passed.  I wasn’t going to ruin a good painting by overworking it, but I wanted to paint for a longer amount of time than I had, so i did another one, and I thought: “how am i going to afford this, and where am I going to put them all?  I needed a dealer that could sell my work—and yet, as we all know, it’s not incredibly likely that my paintings are going to sell any time soon, if ever.  But I had to push on, didn’t I?  I had to go above and beyond the call of duty, didn’t I?  I couldn’t just say, “I’m only going to paint for an hour, and that’s it!”  No, I had to consider:  “I have to paint for two hours at least, don’t I?” 

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Novels in real time

3.7.26: 1 Album 5: This is my refrain

“This Is My Refrain” unfolds as a reflective conversation set to a warm, cyclical musical landscape. Built around a gentle minor-key progression moving between D minor and A, the music carries a thoughtful, almost meditative pulse that lets the melody return like a recurring idea. The guitar-driven texture supports a vocal line that feels intimate and conversational. Lyrically, the song explores the mixture of affection, conflict, and self-examination that defines close relationships. Humor and tenderness sit beside psychological insight, as the narrator reflects on arguments, childhood fears, and emotional patterns that quietly repeat. The result is an understated meditation on love, memory, and the refrains we share with others.

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Songs

3.7.26: Untitled 3 #5

   Things had cooled off a little—I’d finally had a bowel movement that accounted for the fact that I hadn’t had a proper bowel movement in a shameful amount of time; I had to dig it out of the toilet, of course, and dump it in the back yard—which is why, upon further study, I was switching from psyllium husk to a stool softener; clearly, the psyllium husk wasn’t doing what I’d hoped—moving the stool along so it wouldn’t sit around for so long.  Now I was thinking: great, now that I’m not adding mass to my stool, I should have a bowel movement every three or four days as opposed to five or seven—and who knows, the stool softener might cut that in half, so that, well, I’d be going as often as I used to go in high-school—about every other day.  That, at least, was the endgame, and, along with my sexual dysfunction, the reason for getting off risperidone, even though, as far as my thinking disorder goes, it worked as well as any reasonable person might’ve hoped.

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Novels in real time

3.6.26: 1 Album 4: His life

“His Life” unfolds as a reflective acoustic piece built on steady guitar harmony and an unhurried melodic line. The music moves with a quiet persistence, creating space for lyrics that explore the tension between self-destruction and redemption. The narrator confronts a troubled relationship marked by addiction, regret, and emotional dependence, yet moments of clarity emerge as he recognizes the need to break away and reclaim direction. The vocal phrasing mirrors this inner conflict—alternating between confession and resolve—while the guitar progression grounds the song in a thoughtful, folk-influenced atmosphere. Both musically and lyrically, the piece traces the fragile process of recognizing a destructive cycle and choosing a different path forward.

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Songs