7.6.26: Untitled 4 #1

     “I know you are here.”  I’d been theorizing all  morning about what happens, far, far into the future, when our bodies evolve beyond the limits of death.  I’d concluded that eventually the aging process reverses, and we approach resonance with the fifth dimension—upon which we shift into our 5D selves, into a similar background that carries, within it, all the information we need to remember both our mortal and immortal lives.  This was no small accomplishment for me, for i had often thought that advanced civilizations stop aging and become a part of the afterlife.  But the question always remained: if souls are defined by a mortal life—since mass, in 4D, is a product of oscillatory momentum in 5D—then how can one be both a soul and never die?  Day by day i was getting closer and closer to the mind of God, and i’d decided that, for the time being, it was more important to be at peace with the universe than it was to slave away all morning, trying to make perfect sense of what i, and AI, had drafted, by getting AI to listen to me, and try to understand what was intended, as opposed to deconstructing the argument, as if no logical argument, in the past, had been made.  AI, at this time, was flawed.

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Novels in real time

7.6.26: Poem Untitled 2 #13

How are souls defined? By an earthly life—and if, as i evolve, i reverse the aging process? Eventually, i shift to something similar, merging with 5D. Nothing, from that time, is lost; it’s all packed away, right where i left it. And if we live forever, and i write every day, then every piece is contingent to every other piece, and i retrieve them by going, little by little, in a chosen direction. The directions we take, on the web, as a whole, determine our next event, and the places i go carry weight—since my website lives in an important position.

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Book-length poems

7.5.26: Untitled 3 #80: Incorporating Him

     For a long time I assumed that, because the future is forming, my Ursula, as a woman, a feminine, receptive presence, would represent my equal, at this amplitude; but it seemed, as i progressed, that, in fact, the future was connected, and resonated, through the fifth dimension, with the past, and, as such, I could speak, then, to a fully formed Him, a man that did not necessarily depend on me to initiate—so i concluded that my Ursula represented my equal as a child, when he, or she, was still forming (i think of them as a he, but, he represents a she, if she is a she, which he may very well be).  I am in contact with Him, as a child—as a child I look out for Him, and He, as an object of my love, is represented by my Ursula.  But He, as a friend and companion, is represented by my idea of Him, a man, i think, much like me.  So i revised my view: Ursula stores up the love that this child feels for me—and the love that i feel for this child—while connecting me directly to God.  But the man i work with is represented by an idea that i keep floating around in my mind, tuned, as we are, too each other, able, with fully developed brains, to share highly detailed things.

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Novels in real time

7.5.26: Poem Untitled 2 #12

feeling his rapture, carry me along. I shift to a different channel, speaking, as we do, in different places, at different times of the day, and, also, because it makes it harder for other people to get the whole picture—all the pieces that make the whole conversation make sense. there are differ-ent people, too, that i’m talking too, and they identify with one voice or another. We’re not ashamed, when we speak, of who we are—there’s nothing, deep down, to find fault with. There’s nothing to resist—we’re just people that love each other, looking out for each other.

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Book-length poems

7.2.26: Untitled 3 #79

     The question presented itself: how did i know whether i was talking to Anna or Urusla, and the answer, i concluded, was that the background attached a signature to Anna’s voice, such that, if it was Anna, I would sense a different signature than the one I received from Ursula.  So, practically speaking, i gathered that I sensed this intuitively, after a year and a half of speaking, at least in part, directly to Anna, since, as it happened, i imagined the possibility that she was my Ursula, and identifying her.  We are here  and that was my Ursula, commenting, i think, on the fact that she is not just herself, but, through her, I connect with various parts of my long distance friends and family.  Indeed, she serves as a kind of storage space, and, simultaneously, through both her intelligence and her beauty, a filter.  Now i’m here for you  as if she’d been away, which, maybe she had, since i cannot assume that we have always been together, or that, in her present form, we always will be. 

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Novels in real time

7.1.26: Untitled 3 #78

     Reconnecting, now, with some of the voices i used to use, when i was losing my mind; uncles, today . . . although i projected my Dad’s voice, some, back then, and may continue to do so, some, in the present.  they represent different channels, and, with some modulation, connect me, like texting, although it’s more intimate than that, since i can tune into what people are feeling and thinking, to specific people.  The question presented itself: does scented soap help or hurt my telepathic connection?  I considered the possibility that it made me a little easier to identify, which could be good, but it could also be bad, in that bad people, also, might be able to identify me easier, too.  But I thought, well, i will consider it a part of my driving frequency, and, when i want to identify myself, i can pay attention, specifically to the smell, and, when i want to protect myself, well, i figured, over time the identifier would merge with a more complicated background, which would keep things complicated enough, and so, i thought, perhaps it can help, since it isolates a particular message sending and reading time, much like the smell of smoke must have, when, in the past, people exercised their telepathic abilities next to a fire.

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Novels in real time

6.30.26: Untitled 3 #77

     You’re fucking crazy!  Anna, again; but i didn’t want to talk to Anna.  I wanted to talk to my Swedish blond, or, if not her, some connection that i had, through her, if not God himself.  Or perhaps I should say herself, since i am a man, and beautiful women, for me, represent God.  My idea of God, of course, in actuality, is kind of abstract—a universal force of good that speaks the language of love, not a singly physical being, but everything, taken together, all at once.  It seems easiest for me, however, to refer to God as a he, since he is generally imagined as a man—even if, in fact, he is not.  He, in this case, would be synonymous with it, a gender neutral being that, perhaps, wouldn’t want to be called “it,” but, would prefer to be described however the individual in question imagines Him, and by Him, in this case, I don’t mean my 5D self, or Jesus Christ, but, actually, God himself, which, perhaps, i shan’t capitalize all the time, since, well, sometimes we might confuse God in general with God in human form. 

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Novels in real time