6.7.26: Poem Untitled 1 #68

Now you’re back again, swearing that you’ll be my friend after you do to me what you do to him; well, this is just me, can’t get off unless I fucking betray somebody  method acting for the road, don’t know when I’ll be getting home—well, thinking, shithead, that this is a dream and the person I am is on the way . . . would you like to be somebody else, just for a day?
No, on the contrary, I’m somebody else every day of the week—the person I am lives in heaven; he’s not forced, do tell, into method acting, becoming the voice of God knows how many. Well, do your thing, abomination to woman kind, look what happens after you do time  complicated fantasy . . . striking at the quick—i know normal people don’t experience this

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Book-length poems

6.6.26: Untitled 3 #62

     We were coming, in some ways, to the end of one road, and, as we did, we were approaching another road that, according to my bad angel, might not exist.  I was down to 1mg of risperidone and up to 80 mg of Latuda—i’d also quit the benztropine, so I was waiting to see if my involuntary mouth movements returned, which was a little difficult since I would make the movement if I was thinking about it.  But the risperidone was supposed to cause that kind of thing to a greater degree than the Latuda, so I had my hopes up.  All this left me to one prescription before going to bed—atorvastatin for cholesterol, which I might not have needed once getting off the risperidone but, well, I figured it was good to have lower cholesterol than higher cholesterol, and I don’t think it was making me impotent.

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Novels in real time

6.5.26: Jazz: Going up in smoke

In Going Up in Smoke, I was interested in allowing the acoustic bass to assume a leading role, carrying not only the harmonic foundation but much of the melodic material as well. The tenor saxophone and trumpet engage in a shifting contrapuntal dialogue, each taking on prominent responsibilities rather than following a traditional head-solo format. As the piece unfolds, a gradual process of transformation gathers momentum, evolving into a broader sense of expansion and crescendo. By the conclusion, the ensemble moves with considerable energy, with the saxophone emerging slightly to the foreground while remaining part of the larger musical conversation.

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Jazz

6.4.26: Untitled 3 #61

     It had been a few days since I’d kept this appointment—talking to Ursula across time and space—basically like we’re occupying the same exact headspace—call me a negative Nancy but I was worried about her weight again—figuring if the last ten years is any indication, then, by the time she’s in the oval, well, she could gain another twenty pounds, which would have made her chunky, and then, well, if she had a baby—who ever comes back from having a baby . . . well, to be fair, some people do, but, on average, i’d say most people don’t lose half the weight they put on.  Now, these imaginations indicated, I’m quite sure, that I had real feelings for Ursula and I didn’t want to get off track from my true self—a person that sleeps with people that weigh a reasonable amount, not just anybody.

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Novels in real time

6.1.26: Untitled 3 #60

     I was in the middle of a mathematical jungle trying to make sense out of various things that both solve the Riemann hypothesis and explain certain physical properties in physics.  All i wanted to do right now was take a breath and get back in touch with my Ursula.  Her voice was coming from the center of my brain, but I was a long way off.  That happens when I do math—I’m so focused on other things that I forget to project her voice.  Maybe I’m doing it a little unconsciously, but she definitely gets pushed aside by unknown people that sneak in when I’m checking my email, so to speak.  I’m not saying I’m not reading Ursula’s email when this happens—I think a lot of times I am, but as all this math comes out of me, pipe dreams, i know, i lose the filter.  Others get in.  People that would disrupt my routine, make it difficult for me to focus and get things done, and, of course, to get to sleep at night.  I had no intention of living the tortured life of some archetypal artist.

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Novels in real time